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What kind of dog is that? PDF Print E-mail
Written by PARRY TEASDALE   
Friday, 30 July 2010 02:21

WE DON'T HAVE AN OFFICIAL MASCOT at this newspaper, although there was never any doubt about what animal would have been first in line for the job had the post become available. A smooth hair fox terrier named Hopper, my dog, has been coming to work with me for 11 years. He died last week of natural causes.

Most of his newspaper years were spent at The Independent, the now-defunct, twice-weekly county newspaper headquartered in Hillsdale. I first arrived there for my orientation on a chilly evening in November 2000. After about an hour I told the late Vicki Simons, co-owner of the paper, that my “editorial assistant” was waiting for me in the car. She looked taken aback and insisted I invite him in. I'm not sure she was amused when I returned with Hopper, but as a dog owner herself, she took it in stride. Good thing.

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What can you do with kids today? PDF Print E-mail
Written by PARRY TEASDALE   
Thursday, 22 July 2010 19:46

HIS FADED JEANS hung halfway between his waist and knees and yet his t-shirt hadn't pulled loose from his pants, a phenomenon I attributed to Superglue or some strange martial art. He swayed side to side as he walked up the street--a reasonable thing to do if you're trying to hold up your pants with your thighs and move forward at the same time. He was so cool for Columbia County and so unaware his outfit was a couple of years behind the fashion curve.

The antidote I use to prevent myself from condemning him and the other clueless, reckless good-for-nothing youth of today is to imagine bellbottom pants. Bellbottoms and long hair retain their charm on the animated Beatles in the Yellow Submarine movie, but boy did they provoke hostile stares among the geezers and conventional folks 40 or more years ago. That, naturally, was the point, and memories of my own clueless behavior now fill me with dread, tempered by recollections of the pleasure derived from making all that mischief. Those same memories help put complaints about contemporary teenage behavior in perspective.

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You call that art? PDF Print E-mail
Written by PARRY TEASDALE   
Friday, 16 July 2010 13:20

AS CRIMES GO, this one was so low on the scale of severity that you'd probably have to give it a featherweight rating. That probably makes it heavier than the brain of the moron who perpetrated it. But you also have to wonder what extremes of ignorance, alcohol abuse or twisted motivation lead a person to vandalize artwork on display in a public place.

The work of six local sculptors now graces part of the wide grassy strip along Hudson Avenue in Chatham where the train tracks once ran. The pieces range from whimsical silhouettes of wild animals to abstract constructions, all of them scaled to fit comfortably in this open stretch bordered by the road on one side and on the other by the paved pathway that runs from the traffic light to the Price Chopper plaza.

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It's a long way to Albany PDF Print E-mail
Written by PARRY TEASDALE   
Thursday, 08 July 2010 13:52

JOEL TYNER CAN WALK AND TALK at the same time. It's a useful skill for a politician. Think of all the people who end up with their feet in their mouths instead of on the ground.

Mr. Tyner's timing is not so good. He picked the hottest week in decades to walk from Manhattan to Albany. But the trip has given him plenty of time to talk on his cell phone about the slow motion disaster called a New York state budget and his plan to challenge Andrew Cuomo for the Democratic nomination for governor.

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What fate awaits Towers? PDF Print E-mail
Written by PARRY TEASDALE   
Thursday, 01 July 2010 11:58

IT LOOKS OMINOUS, looming above the city. Bliss Towers, the nine-story, publicly funded apartment building in Hudson has served as a landmark of sorts for more than a third of a century. Now it's showing its age, and city, state and federal officials have to decide whether to fix it or tear it down.

Architecturally, it's an eyesore. It suffered from the limited budgets available for rent subsidized apartment buildings as well as a lack of aesthetic vision that dominated mainstream design from the 1950s to early '70s. Housing projects promised better lives for people in some of the poorest neighborhoods in the U.S.; hardly anybody at the time cared what they looked like. The theory was that the nation could end poverty by warehousing people in soulless boxes that might best be described as Soviet chic.

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